Capturing the Narrative of Two Realities

KooZA/rch

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marc-goodwin-eduskunta-04 Finnish Parliament, Eduskunta

Finnish Parliament, Eduskunta Finnish Parliament, Eduskunta

Finnish Parliament, Eduskunta Finnish Parliament, Eduskunta

Finnish Parliament, Eduskunta Finnish Parliament, Eduskunta

Musee des Confluences; France; Coomhimmelb(l)au. Musee des Confluences_France_Coomhimmelb(l)au.

Musee des Confluences; France; Coomhimmelb(l)au. Musee des Confluences_France_Coomhimmelb(l)au.

Musee des Confluences; France; Coomhimmelb(l)au. Musee des Confluences; France; Coomhimmelb(l)au.

unnamed Alvar Aalto

4 Alvar Aalto

marc-goodwin-paris-04 Palais Garnier

Capturing the Narrative of Two Realities 

Archmospheres_Marc Goodwin & Cecilia Galera

Interview

What dictates your choice of staging your portrayal of architecture and its elements? (in terms of angle,  inhabited or not, detail, light) 

To answer that question, I’d have to split myself in two, and then double one of those responses since the personal project I’ve sent you was done in collaboration with Cecilia Galera, a young photographic artist.

One answer would be that I seek to tell the story of a client’s building in the most favourable light, according to the demands of a brief and a few serendipitous moments that fall outside that brief but usually provide the best images. The role of a commercial photographer is largely to…

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